MAVO S35 6K
€4,999.00
Mavo is based on a whole new s35mm 6k CMOS image sensor and colour processing architecture to achieve super low-noise, wide dynamic range.
| Package | Body Only, Handled Package, Core Package, Production Package, Choose an option |
|---|---|
| Lens Mounts | E Mounting Adapter, EF Mounting Adapter II, EF Mounting Adapter II w KineEnhancer, EF Mounting Adapter w e-ND, PL Mounting Adapter II, PL Mounting Adapter w e-ND, LPL Adapter, Choose an Option |
Description
The MAVO cameras are the flagship camera line from KINEFINITY.
MAVO and MAVO LF are based on the same image process platform, using advanced color processing architecture and whole new CMOS image sensors to achieve super low-noise, high dynamic range. Whether it is the S35 format version of MAVO or the large-format version, the 6K cameras can bring stunning details and organic images.
The MAVO s35mm features a high-speed & low noise 6K CMOS image sensor, with a S35 image format (crop factor of 1.5 over FF). S35 MAVO employs an S35 CMOS image sensor, 3:2 aspect ratio, 24x16mm, resolution up to 6016×4016. Anamorphic lenses also work with MAVO’s 6:5 or 4:3 modes perfectly. At the S35m format, you can shoot 6K up to 50fps; for 6K Wide up to 66fps. In crop mode, 4K Wide is up to 100fps in 2k up to 192fps!
The MAVO S35 sensor size can be virtually enlarged by the use of Kinefinity’s own speedbooster to a crop factor of 1.0 (FF).
The MAVO s35mm has around 14+ stops of latitude, pleasing skin tones and shadow details are reserved perfectly. The OLPF is designed to retain a maximum amount of sharpness but make you get rid of any Moire or aliasing.
The Mavo camera body weighs only 920g, and its size and weight is only a fraction of the other so-called ‘MINI cameras’ in the cinema market.
The MAVO is a modular camera and can be fully rigged up as a full feature cinema camera or shrunken down for light weight gimbal work. Due to the same form factor and connections All the TERRA Accessories will work with the MAVO camera line.
MAVO consumes less than most other cinema cameras, so that it can be powered by BP-30 batteries, for 60~120 mins.
With a lemo connector the camera can handle external power supplies and can be powered from a V-Mount battery and given you much longer shooting times (4 hours with a 95 h battery).
The feature rich MAVO can be expanded by upgrading it with the universal KINEBACK-W which adapts with 4 screws to any of the Kinefinity cameras. With the Kineback-w you get 2 sdi ports, timecode port and a sync port. You get two phantom powered xlr ports for high quality audio and a v-mount plate to adapt industry standard batteries.
MAVO can be powered and controlled with theKineGRIP, with the addition of the 5inch Kinemon you get a very small run and gun form factor.
The MAVO records in all sorts of ProRes flavors with the addition of two types of raw (cdng and krw) on industry standard 2.5 inch ssd’s
What's in the box
Specifications
RESOLUTION, FRAME RATE AND CODECS
| Image Format | Format | Resolution | Max FPS | Codec |
| S35 | 6K Wide | 6016×2520 | 60 | ProRes or RAW |
| 6K DCI | 6016×3172 | 50 | ProRes or RAW | |
| 6K HD Wide | 5760×2400 | 66 | ProRes or RAW | |
| 6K HD | 5760×3240 | 50 | ProRes or RAW | |
| 6K Open Gate | 6016×4016 | 40 | ProRes or RAW | |
| 4:3 Anamorphic | 5376×4016 | 40 | ProRes or RAW | |
| 6:5 Anamorphic | 4864×4016 | 40 | ProRes or RAW | |
| 5K Wide | 5120×2160 | 74 | ProRes or RAW | |
| 5K DCI | 5120×2704 | 58 | ProRes or RAW | |
| 4K HD Wide (Oversample) | 3840×1600 | 66 | ProRes | |
| 4K HD (Oversample) | 3840×2160 | 50 | ProRes | |
| 3K HD Wide (Oversample) | 2944×1200 | 66 | ProRes | |
| 3K HD (Oversample) | 2944×1620 | 55 | ProRes | |
| M43 | 4K Wide | 4096×1720 | 92 | ProRes or RAW |
| 4K | 4096×2160 | 74 | ProRes or RAW | |
| 4K HD Wide | 3840×1600 | 100 | ProRes or RAW | |
| 4K HD | 3840×2160 | 74 | ProRes or RAW | |
| S16 | 3K Wide | 3072×1280 | 120 | ProRes or RAW |
| 3K | 3072×1620 | 99 | ProRes or RAW | |
| 3K HD Wide | 2944×1227 | 130 | ProRes or RAW | |
| 3K HD | 2944×1620 | 99 | ProRes or RAW | |
| 16mm | 2K Wide | 2048×860 | 180 | ProRes or RAW |
| 2K | 2048×1080 | 144 | ProRes or RAW | |
| 2K HD Wide | 1920×800 | 192 | ProRes or RAW | |
| 2K HD | 1920×1080 | 144 | ProRes or RAW |
Note: Frame Rate can be adjusted as 2~MAX fps, step accuracy of 0.001fps. Note: ProRes444 and 444XQ does not apply for all resolution and fps.
TECHNICAL SPECIFICATION
| Camera Type | S35, Large Format Film-Style Digital Cinema Camera | MAVO and MAVO LF | ||
| Imaging Sensor | 6K 3:2 S35, Full FrameFormat CMOS | MAVO: 24x16mm MAVO LF: 36x24mm Crop factor over FF: 1.5 or 1 | ||
| Shutter | Rolling Shutter | |||
| Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters | *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer | ||
| Record Formats | Codec Type | Codec Format | Bit Depth | |
| Compressed CinemaDNG | .dng | 12bits | 3:1/5:1/7:1 | |
| Compressed KineRAW 2.0 | .krw | 12bits | 2:1~10:1 | |
| ProRes444XQ, 444, 422HQ/LT/proxy | .mov | 12/10bits | *not all res&fps | |
| Resolution | 6K(Open Gate) | 4K | 3K | |
| 6016×4016 | 4096×2160 | 3072×1620 | *5376×4016, 4:3 | |
| Max FPS | 66@6K Wide | 100@4K Wide | 150@3K Wide | *Wide, 2.4:1 |
| Dynamic Range | >14 stops | |||
| ISO | Base ISO | Max | ||
| 800 | 20480 | |||
| Shutter Angle | 0.7°~358° | |||
| Monitoring | Video Port x2 | HD Port x1 | SDI x2* | *Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W |
| Record Media | 2.5″ SSD with 7mm Height | |||
| Audio Capture | In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK-W | ||
| Sync Function | Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK-W | ||
| LUT | Preset: Neutral, Support Custom 3D LUT | |||
| Power | Power In | Consumption | ||
| DC IN 11~19V/SideGrip/V-Mount* | 21W | *Applicable on KineBACK-W | ||
| Body Color | Metal Black | |||
| Weight | 2.1 lb / 990 g | *Only Body | ||
| Size | 4.5×4.3×3.7″ / 115x110x95 mm | *W/o projections, WxHxL | ||
| Operating Temp | 0°C to +40°C | |||
Note:
- ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
- Any other trade marks belong to their respective owners.
Compare
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MAVO LF
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MAVO
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TERRA 4K
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|---|---|---|---|
| Price (Body) | EU €11,999 | EU €7,999 | EU €3,999 |
| CMOS Sensor | Full Frame 6K 3:2 CMOS Imaging Sensor | S35mm 6K 3:2 CMOS Imaging Sensor | sub S35 4K 3:2 CMOS Imaging Sensor |
| Crop Factor over FF | 1 | 1.5 | 1.85 |
| Max Resolution | 6016×4016 (24M Pixel) |
6016×4016 (24M Pixel) |
4096×2700 (11M Pixel) |
| Slow-Mo | FF: 75fps @6K Wide S35: 80fps @5K Wide S35: 100fps@4K Wide S16: 200fps@2K Wide |
S35: 66fps@6K Wide M43: 100fps@4K Wide 16mm: 192fps@2K Wide |
sub S35: 100fps@4K Wide sub S16: 240fps@2K Wide |
| Codec | 1. ProRes 444XQ/444 2. ProRes 422HQ/422/LT/Proxy 3. cDNG 3:1/5:1/7:1 4. KRW2.0: 2:1~10:1 *(Plan available 2019) |
1. ProRes 444XQ/444 2. ProRes 422HQ/422/LT/Proxy 3. cDNG 3:1/5:1/7:1 4. KRW2.0: 2:1~10:1 *(Plan available 2019) |
1. ProRes 422HQ/422/LT/Proxy 2. cDNG 3:1/5:1/7:1 3. KRW2.0: 2:1~10:1 *(Plan available 2019) |
| Anamorphic | FF Ana: 40fps@4:3 5376×4016 FF Ana: 40fps@6:5 4864×4016 S35 Ana: 50fps@4:3 4096×3072 S35 Ana: 50fps@1:1 3072×3072 |
S35 Ana: 40fps@4:3 5376×4016 S35 Ana: 40fps@6:5 4864×4016 |
sub S35: 4:3 3700×2700@50fps |
| Latitude(stops) | 14+ | 14+ | 13+ |
| Base ISO | Dual Native ISO 5120(From 3200) 800(below3200) |
800 | Dual Native 3200(from 1280) 800(below 1280) |
| Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters |
Native KineMOUNT as omni mount to be PL/EF/SONY Eby solid mounting adapters |
Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters |
| Powering | 1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
1. SideGrip 2. Two-Pin DC Input 3. Integrated V mount Battery Plate (only available on KineBACK-W) |
| Video Monitoring (KineMON) |
2 | 2 | 2* (TERRA 4K shipped from 2019.1) |
| HD Monitoring | 1 | 1 | 1 |
| Wireless Slot (For video and lens control) | 1 (only available on KineBACK-W) |
1 (only available on KineBACK-W) |
1 (only available on KineBACK-W) |
| SDI Monitoring | 2 (only available on KineBACK-W) |
2 (only available on KineBACK-W) |
2 (only available on KineBACK-W) |
| Audio | 1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
1. In-camera MIC 2. 3.5mm MIC-in 3. KineAudio: 48V Phantom MIC, Dual XLR (only available on KineBACK-W) |
| Status Display | Yes | Yes | |
| Size (WxHxL) (Without projections) |
4.5×4.3×3.7″ / 115x110x95 mm | 4.5×4.3×3.7″ / 115x110x95 mm | 4.5×4.3×3.7″ / 115x110x95 mm |
| Weight(Body only) | 2.1 lb / 990 g | 2.1 lb / 990 g | 2.1 lb / 990 g |
| Body Color | Deep Grey | Black | Silver Grey |
